The need to reshape the work and the thought of the crowd that was created in my head during one period, prompted me to think that the previous topics should be extracted into some other forms. From certain examples, I realized that by needlessly filling the scene on the canvas, I am threatened by the fear of empty space. The moment before diving into a new subject followed the refining of the image into slightly different forms of presentation. The realization of what was envisioned happened by decompose the form and simplify the scene. The introduction of water lilies as a special element around which I continued to generate my works, this time mostly paintings, oil on canvas, helped me clarify the complicated scene and the unnecessary fullness.

SPEECH

The symbolism of the water lily varies from one culture to another. In the Buddhist tradition, it symbolizes morality, but also rising above material desires. Today in eastern countries the water lily is a symbol of dawn and birth, while in western countries it is a symbol of chastity and purity. And while it grows in the mud and retains its delicacy, both of existence and movement, its strength and endurance are far more fascinating especially when one considers its thin appearance. The subtlety of the existence of this plant is expressed by oscillatory waves that arise on the surface of the liquid in which it lives. There is one catch that visually does not match the shape of the wave movement on the water. Their metrics and layout are more like a spread of sound. Spherical sound waves are created by oscillating a point source or by pulsating a sphere. The source of sound can be any body that performs mechanical oscillations in an elastic medium and thus causes a disturbance of the medium, thereby communicating energy to the particles of that medium. Trying to understand the technical appearance of these displays in physics, I tried to imitate their appearance. In this way, this living object on the water spreads around itself sound signals that often look like movement. That "whisper" is the silent scream of one who is thought to be silent. There is Aristotle's thesis that plants have souls, but not feelings, which was represented throughout the Middle Ages. Later in the 18th century, the botanist Carl von Line came to the conclusion that the only difference between flora and fauna is that animals move, and that in the extremely physically noticeable way we are used to. I say "in a noticeable way" because Charles Darwin already in the 19th century proved its movement on a vine. Plants express their aspirations in the form of movement, but only in cases of necessity and benefit for the individual itself, as well as the rest of the plant world. Already in the next century, the biologist Raoul France intrigued science with his evidence that the elegant way of moving a plant does not really differ from that of a human, but is only much more subtle (and slower), and a person who does not have time to pay attention will not even notice it. The meditative method of building scenes is coherent with the way this plant exists. The simplicity of the situation and the fragile methods of production bring to the surface the subtlety of movement. The significance of such a form of existence is equally important, but also instructive for a homo sapiens today. In a sea of too much everything, each of us is faced with a constant imperative of speed and movement as such.